When it comes to shark movies, two titles tower above the rest: Jaws (1975) and The Meg (2018). One is the classic that terrified a generation. The other is the over-the-top, CGI-fueled thrill ride that had Jason Statham punching a shark.
And with 1975 classic celebrating its 50th year and being re-released into theaters this weekend we thought it was perfect timing to have fun with the two films.
So which one is better? The answer might depend on whether you like your sharks with a dose of gritty realism or monster-movie spectacle. But the truth is, both films have shaped how audiences see the ocean — and both play a role in keeping shark stories alive.
🎬 Jaws: The Blockbuster That Changed Everything
Released in 1975, Jaws didn’t just invent the summer blockbuster — it redefined moviegoing. Steven Spielberg’s mechanical shark, famously nicknamed “Bruce,” barely worked during filming. But that flaw became its genius. Forced to hide the shark for much of the film, Spielberg built suspense through suggestion, music, and terrified actors. The result? Audiences were scared to go near the water for years.

Captain Quint (Robert Shaw) became an instant icon. His monologues, sea shanties, and final standoff with the shark are pure cinematic legend. And John Williams’ two-note score is now universal shorthand for “something bad is about to happen.”
Jaws wasn’t just a movie — it became part of pop culture itself.
In my opinion the long-term impact of Jaws has been a net positive. Admittedly it didn’t help in the 70s and 80s but as time went on it inspired many people to move toward shark conservation.
The character Matt Hooper played by Richard Dreyfuss in the film in particular was a huge inspiration and inspired scientists like Dr. Greg Skomal.
🦈 The Meg: Big, Loud, and Unapologetically Fun
Jump forward four decades, and shark movies look very different. The Meg is pure spectacle. The star isn’t a 25-foot great white but a 75-foot prehistoric Megalodon — a creature three times the size of Jaws’ shark. CGI brings the monster to life in ways that Bruce never could.

Instead of Quint, we get Jonas Taylor (Jason Statham), a deep-sea rescue diver turned reluctant shark fighter. Where Quint was gritty and doomed, Jonas is slick, heroic, and (naturally) survives.
The film leans into its own absurdity — from giant shark breaches to a Statham-vs-shark fistfight — and it never apologizes for it. The Meg knows it’s not Jaws. It’s a popcorn movie for the global stage, and that’s why it worked.
⚓ Quint vs. Jonas: Old-School Grit vs. Modern Hero
Comparing Quint and Jonas highlights the difference in eras.
- Quint (Jaws): A weathered sea captain haunted by his past (USS Indianapolis survivor), hellbent on killing the shark. His obsession dooms him, making him one of cinema’s great tragic figures.
- Jonas (The Meg): A modern action hero. Confident, sarcastic, indestructible. Instead of being consumed by obsession, Jonas saves the day and lives to quip about it.
Quint is Shakespearean tragedy; Jonas is comic-book cool.
🎥 Practical Effects vs. CGI
Here’s where the debate heats up:
- Jaws’ mechanical shark might look clunky by modern standards, but its limitations forced Spielberg to craft suspense that audiences still feel today. Practical effects, clever editing, and music created a kind of realism that CGI rarely achieves.
- The Meg’s digital shark is flawless in its rendering — but also feels more like a monster than a real animal. Its sheer size makes it more fantasy than thriller.
For many film lovers, this is why Jaws remains the superior movie. Fear thrives in the unseen. CGI can wow us, but it rarely lingers in our nightmares the way those two notes — dun dun, dun dun — do.
🩸 Impact on Culture
- Jaws: Changed cinema forever, inspired generations of filmmakers, but also unfortunately contributed to shark fear and even shark hunts.
- The Meg: Never aimed to terrify in the same way. Instead, it’s sparked curiosity in a younger generation. For kids and teens, The Meg is an entry point — a flashy, fun film that might lead them to ask, “Could sharks really be like this?”
And that curiosity matters.
🌊 What Both Films Share
Despite their differences, both Jaws and The Meg share one important trait: they keep sharks in the cultural conversation. Whether through terror or awe, they remind us of the ocean’s mysteries — and they inspire people to learn more.
That curiosity is exactly what drives scientists, filmmakers, and conservationists today. And it’s what drives projects like Gulf Great White Sharks: Return of an Icon.
🦈 From the Big Screen to the Gulf: The Real Icons Return
In Jaws, the shark was a fictional monster. In The Meg, it’s a prehistoric fantasy. But in the Gulf of Mexico, the story isn’t fiction. Great white sharks are returning.
For decades, their presence here was doubted, dismissed as myth or anomaly. Most believed their range stopped well short of these warmer seas. But new tracking data and research reveal they’re back — real predators, reclaiming their place in an ecosystem that once seemed too warm or too distant for them.
And unlike Hollywood, this isn’t about terror. It’s about awe, science, and conservation.
That’s the story of our documentary: Gulf Great White Sharks: Return of an Icon. It’s the real sequel to both Jaws and The Meg. Not a blockbuster built on fear or fantasy — but a living, breathing story of one of the ocean’s greatest predators coming home.
🎬 Final Verdict
So, Jaws vs. The Meg: who wins?
- As a film: Jaws. Its suspense, characters, and cultural footprint are unmatched.
- As spectacle: The Meg. It’s big, brash, and fun — a great gateway for new generations.
- Jaws is definitely the better film but both are tons of fun.
- But as reality: Neither. The true story isn’t on the big screen — it’s in the Gulf, where great whites are writing their own comeback.
That’s the story worth watching. And it’s happening now.
Now, go see Jaws this weekend and have a fun time with the family.
But before then check out my documentary Gulf Great White Sharks: Return of An Icon. I think you’ll enjoy the section on the impact of Jaws and a clip of me at the Jaws bride.
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Email Chester at chester@chestermoore.com.









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